Review: Conan the Barbarian #75 - "The Hawk Riders of Harakht!"
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| Review: Conan the Barbarian #75: The Hawk Riders of Harakht |
By WALLY MONK
Paint Monk's Library Editor
It seems like ages ago that I shared the sad tidings that our reviews of the first volume of Marvel Conan would come to an end. In reality, it's been a mere three months, but your letters and encouragement have prompted Paint Monk's Library to resume the countdown - and we plan to stick it out this time until the bitter end in Conan the Barbarian #275.
Before we begin anew with a review of Conan the Barbarian #75, I would like to thank all of you for following this blog, sharing your thoughts, and passing along kind words of encouragement both here, on Facebook and on Twitter.
A hearty "huzzah!" is also due to PM Library writers Bob Freeman, Andy Maglothin, Joeseph Simon, Troy Chrisman and Dean Plakas, who have continued to support the blog - and who all eagerly (and enthusiastically) agreed to help continue our classic Conan the Barbarian reviews.
When we last saw our intrepid Cimmerian in Conan the Barbarian #74, he had made swift work of a massive sea serpent while the crew of Belit's Tigress set the Stygian fleet aflame in the Port of Khemi. This issue begins with a beautiful splash page featuring Belit, Conan and a slave-girl named Neftha outside the city of Khemi, watching the Stygian fleet burn.
This tale, and perhaps parts of Conan the Barbarian #74 begin a multi-issue story arc which will be concluded in Conan the Barbarian #77. One of Robert E. Howard's most vivid landscapes within Conan's world, these tales take place in Stygia, a dark land full of sorcerers and ruled by worshipers of the snake god Set. Inspired by mythological Egypt, Stygia is perhaps my favorite land in the Howard mythos.
Review: Conan the Barbarian #75
Conan and his companions make small talk with the merchant, who bemoans his bitter luck and the late night intrustion. Belit makes certain to note that they have seen the merchant's small skiff, loaded with merchandise, asking him if he is headed down the River Styx to the great city of Luxor. When this is confirmed, Belit informs him he'll be taking three new passengers along.
Morning dawns, and soon Conan, his companions and the merchant are headed to Luxor. Conan is dressed as a slave trader, and both Belit and Neftha have dyed their skin to fit in more with the locals. As they travel down the river, both Belit and Conan reflect on the crocodiles along the riverbanks and the birds who nest among them. Here, we are given a good reflection and history of Stygia - Belit notes that at one time, an Ibis headed god was prominent, but the snakes and Set are the masters of the land now.
As the sun makes its way across the sky, the merchant becomes concerned, telling his oarsmen to pick up their pace. Conan asks him why he seems so shaken, and he informs the Cimmerian they are passing the City of Harakht. A mid-point between Khemi and Luxur, Harakht is ruled by a despot whose bad behavior is largely ignored. Harakht, the merchant says, is a safeguard against the neighboring land of Shem and the ruler's misdeeds are overlooked because of the importance of the city.
Their conversation is cut short by brigands swooping down to raid the vessel atop giant birds of prey! These thieves, sanctioned by Harakht, have been raiding merchant trading vessels, intercepting them before their luxurious goods reach the capital city.
Belit manages to hold her own, injuring one of the hawks, but is soon grabbed in one of the massive raptor's mighty talons. Conan helplessly watches as Belit is carried away - but he has a plan of his own. As another raptor-rider swoops in, Conan grabs the bird's tail, losing his sword in the process. The barbarian manages to throw the rider off, but finds that he cannot control the hawk.
Mustering all the strength he has left, Conan breaks the bird's neck and it falls to the earth.
Conan lands on the banks of the River Styx, the dead body of the hawk nearby. He struggles to remain conscious, drifting in and out of reality. He finally regains his senses when he hears the sound of splashing water and a flock of ibis taking wing. Having just fallen from the heights, he now has to contend with the beasts of the deep. With only a dagger in hand, Conan dispatches the enormous crocodile, setting his sights on the city of Harakht and his beloved Belit.
CAPSULE REVIEW: This was an excellent issue of Conan, both in the artwork and in Roy Thomas' narrative. I miss the days of narration boxes, which do a great job fleshing out bits and pieces of immersive stories that artwork alone can't express. The combination of Ernie Chan and John Buscema is a hit, and you can see the influence of Chan's work in collaboration with Buscema's pencils. The two make a true dynamic duo.
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| Beautifully illustrated action panels fill the pages of Conan the Barbarian #75. |
Conan the Barbarian #19-29 featured what we've called here the Makkalet storyline, involving the Turanians, Prince Yezdigerd and the Livng Tarim. Where that particular story arc got old very quickly, this one seems much more promising and certainly just as action packed. Before this 4-issue story arc is finished, we'll be treated to more action and even more Stygian foulness.
On a scale of 1-10, I'd rate this issue a 7.9. Copies on eBay were available in various conditions for $5 or less.
As always, I am - Wally (AKA Paint Monk)
Great to see this feature return!
ReplyDeleteThank you! And glad to see you back, too.
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